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FEATURES | ||
| Stuart Koop |
STOPPING | |
| Lee Weng Choy | THE ETHICS OF WONDER: Art and Natural History | |
| Kevin Chua | THE NATURAL HISTORY OF THE BRAND | |
| Blair French | THE ANTHROPOLOGICAL IMPULSE: More Thoughts on Contemporary Photography | |
| Michael Newall | ART IN AN ECONOMY OF PLEASURE | |
| Russell Smith | TRACEY MOFFATT: The International Look | |
| Richard Grayson | GREY SQUARES, WHITE STRIPES [Mark Wallinger and Olafur Eliasson] | |
| Geraldine Barlow | ATTENDING MOMENTS PAST: Christine Borland's Conservatory | |
| Samara Mitchell | THEORY IN PRACTICE: Blast Theory in Australia | |
| Melentie Pandilovski | ART OF THE BIOTECH ERA | |
| Andrew Mackenzie | DOING NEO'S WORK [Transfigure at ACMI, Melbourne] | |
| THE 2004 BIENNALE OF SYDNEY: On Reason and Emotion | ||
| Anthony Byrt | THE CREEPY CONTEMPORARY SUBLIME [Bloom at Govett-Brewster Gallery] | |
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EXHIBITION COMMENTARY | ||
| Stuart Koop | The Histrionics | |
| Alex Gawronski | Danius Kesminus | |
| Timothy Morrell | Ah Xian | |
| Chris Reid | Andrew Best + Alex Gawronski |