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| Contents | ||
| Vasif Kortun/Melentie Pandilovski | Biennale Man: Art in A Global Age | |
| Scott Redford | Changed Circumstances: Learning from London | |
| Simon Rees/Nikos Papastergiadis | Checks and Balances: Tracing Discourses of Migration | |
| Ihor Holubizky | Shaun Gladwell: The Deep Madness of... | |
| Jacqueline Millner | Claire Healy and Sean Cordeiro: Stack and Ruin | |
| Margaret Farmer | Regarding the Moving Images of Vernon Ah Kee | |
| Nicholas Tsoutas | Ken Yonetani: Sweet Barrier Reef | |
| Reuben Keehan | Person Showing His Penis: Test Case in Knowledge Production | |
| Adele Tan | Finding (In)imitable Form: Ming Wong's Rehearsal of the Nation | |
| Christopher Chapman | Understanding Grunge Art | |
| David Garneau | Thoughts on Inappropriate Appropriations |
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| Felicity Fenner | Thinking Beyond Abstraction | |
| Rex Butler | Apology (Not) Accepted | |
| Rebecca Catching | Expectations for a Future | |
| Timothy Morrell | Carribean Communisim: The Last Resort: 10th Havana Biennial | |